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The separation and right change of poetry and songs – “Pen Shu” and Daolang as the middle
Author: Liu Qiang
Source: The author authorized the Confucian network to publish, original “Civilization and Communication” No. 5, 2024
Abstract: In the ancient times, poetry and songs, or perhaps saying that literature and music are the same. “Pen Shu” is a “mixed art” of poetry, music and dance, and it was the first to remind the internal rules of poetry and songs that are separated and right. As a modern new poem that “reads texts” is divided into shoulder women. Even though it is also based on the “poetry song”, it has nothing to do with “song”, and with the constraints of gifts and ethics, in the direction of “use of meaning” and general personalization, it can only move towards the dual dilemma of “high and low” and “low and low”. It is precisely in this scene that the question of Daolang Music’s earlier album “The Mountain Songs” is the “resurrection” of “mixed art” and the contemporary model of “returning the ancients as new changes” that has the main motto of discussion and commentary. Daolang broke the boundary between poetry and songs that had been solidified, showing the moving distance of “the convergence of poetry and songs” in the new era, providing versatility for this era of literature and music, poetry and songs, and showing the arrival of a new era of poetry. Through the historical assessment of the separation and change of Chinese poetry songs from “People” to Daolang, a regular poetry impression can be drawn: that is, the more the poetry songs are combined and the more public the value is related, the more you can win the appreciation and reception of the group; on the contrary, the more poetry songs are divided and reading is preferred, the level of personalization will be deepened, and the content of the work is irrelevant to the pain of the people, the more difficult it is to actually be time-space leapfrog in the crowd.
Keywords: poem; separation; regular change; “People”; Daolang
1. The arrival of a new lunar calendar
On July 19, 2023, contemporary original musicians, singers, The new album “The Mountain Song” by the lyricist Daolang was quietly launched. One of the title songs “Royale City” came out, and it quickly attracted the eyes and ears of thousands of people – the people on earth who have experienced the pain of the epidemic for three years have responded to this Chinese single song full of temperature, strength and magic with great enthusiasm. The reports of the Internet have been refreshing the overall understanding of the “talking crazy” level of self-media era: as of 18:00 on July 30, the global network playback volume of “Royale City” has reached 8 billion times, exceeding the 5.5 billion global record of the Spanish magic song “Despacito” released in 2017; by the 20th day of online launch on August 8, the global playback volume has exceeded 17 billion; on August 17, it has increased all the way since then.
On August 21, Daolang entered a live video platform. Without publishing any information to prove that this “original musician” was Daolang himself, this account actually gained more than 800,000 fans in less than one day (I am one of them). Afterwards, every few days, Daolang would give a live-action sing video. His music team expressed his feelings, which was refreshing: a low-key and professional set, rich and new ornaments, a 52-year-old Daolang’s constantly changing appearance, and his gentle and bright voice when the sand was in ruins. The appearance and posture of singing along the side, coupled with the lens that is switched at the right time, the excellent production screens, and the most interesting part of the special works, bringing a long-lasting viewing experience to the audience. Daolang’s popularity continues to ferment and warm, setting off a hole-free and uninterrupted auditory storm around the world. According to a website article on September 10, the cumulative number of views of “Royale City” related videos on a short video social platform has exceeded 100 billion times, and many of the second-created videos have exceeded 10 million or even 10 million views. Chen’s long-term singing art suffered from large data-media era, and the limitations of time, space and traffic were completely overturned, and the number-like viewing of geographical numbers clearly indicates the arrival of a new poem.
After the continuous release of 16 songs playing videos from “Pianpian” and “Flower Demon” to “The Reverse of the Future”, the long-stored waiting can reach a new “burning point”. On November 13, people finally compared the live-action video of “Royale City”. Dao Lang’s funny appearance with a short black hat and a plaster-style ink lens made people laugh as soon as he appeared. What was even more amazing is that six foreign musicians, including drums, copper tubes, drummers, etc. were added to the accompaniment team, making the whole song full of the so-called “international style”. In just a few hours, the target volume exceeded one hundred billion, and in the subsequent large-scale data statistics, the global spot volume of this “Divine Comedy” has exceeded 130 billion times in several months! [①]
But that’s not the end. What everyone unexpectedly expected was that late at night on December 6, after 18.447 million fans were placed on the video, Daolang suddenly released a video for several minutes, and announced that he would retreat at a low level, and he would create something later… Daolang’s music has enough to make the public “head” – I have paid at most hundreds of traffic and learned three songs – and Daolang’s brave retreat left the audience with an extraordinary and damn secret back.
The musical reflections after the Daolang can be described almost as geographic or sea. This also caused some of my thoughts. As the subtitle of this article shows, the topic I want to talk about is traced back to “People” and then to Daolang, which seems to be difficult to avoid being unreasonable and incompetent. However, since Hu Ying said, “In the eyes of history, the songs sung by the young girl today have a plan-like status as “Three Hundred Poems””[②], then they are dressed up as “”People” of the collection of Japanese songs, and Daolang, who constantly absorbed points from Japanese songs to enhance his own music creation, in addition to his two or three thousand years of time, may also be the “common” of the singular race in the “gene picture” of civilization and art.
In other words, between the remote “Pen Shu” and the close Daolang, there is originally a perfunctory and spirituality of Chinese classical poetry, and a “quantum slurred” that is difficult to observe but truly exists. Especially the separation and change of touch and poetry, song and music When we have a problem, we will find that placing Daolang’s music in the entire outlook of Chinese poetry history is not only a “fake issue”, but a “big question”.
The question of the relationship between poetry and song is a “common conversation” ——There has been a thousand years of debate among scholars from ancient and modern times. However, this problem has a greater value in the future of “poetry” and “poetry”. It is particularly valuable to explore and pursue it in a step-by-step manner. A slander is that in daily oral or literary history and poetry history, Brave meaning “Pen Song” is often “matched” into a pair that is created and never abandoned. In the presentation of modern new poems, “Pen Song” and “Song” have long been separated. Taoist slogans, one beat and two beats. For a long time, the grand and victorious movement of worship vernacular writing has always been at the top of the hall, becoming a scholar-in-law scholar and a “collector” of literature and literature books. Although there are many authors, the old poems are almost learned by mainstream literature. href=”http://twlovediary.com/”>Baobao comments but don’t see them, and they are as if they are worn out; and the department related to music is dragged into the “lyrics” field by a brain – the lyrics, the little cat seems a little dissatisfied at the handover, and he mourns the throne. , according to Song Yu’s “Ask to the King of Chu”, it is a pure music called “Yangchun White Snow”. As many as the singers, they are spoken according to the elegant music of “Yangchun White Snow”. Although some commentators say, “The lyrics belong to poems that are suitable for sings, modern poems belong to poems that are suitable for reading. “[③] It seems that the cameras of the two were given to follow her actions. The staff found that there was a choice to plan during the recording process, but the references of “lyrics” and “modern poems” were still difficult to avoid people from having the idea of ”the lyrics are the lyrics”.
In this way, the appearance of Daolang has a major poetic meaning, TC:
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